Roman and medieval engineering have endowed Spain with numerous round-arched stone bridges. The nineteenth century added stylised ironwork while modernity gave birth to daring steel and concrete structures, rounding out an astonishing array of bridges standing today in Spain.

Searching for Spain’s most striking bridge

España Fascinante’s followers go beyond the country’s famous monuments to discover the quintessential Spain, casting a discerning eye on the harmony between landscape and the works themselves.

This time we render tribute to the bridges that unite territories and stir emotions, and our readers’ inquisitive expertise permits us to discover what bridges deserve recognition as Spain’s most beautiful.

Candidates for the top spot

The ranking opens with one of Seville’s iconic symbols, the Isabel II Bridge. Widely known as the Triana Bridge, it crosses the Guadalquivir River linking Seville city centre with the incomparable Triana neighbourhood. The bridge’s elegant twentieth-century ironwork fashions a dazzling sight upon the river.

The fourth most-voted bridge is the epic, so-called Roman Bridge of Cangas de Onís. The unmistakeable stone contour of this bridge is, in fact, a medieval structure.  The bridge’s grand central arch and suspended crucifix have become an emblem of Asturias.

Third place belongs to the dizzying bridge that connects Ronda’s two halves, spanning the depths of the canyon carved out by the Guadalevín River. Its lofty eighteenth-century architecture and extraordinary panoramas make this bridge utterly breathtaking.

The silver-medal winner is the majestically serene Roman Bridge at Córdoba in Andalusia. Spanning the Guadalquivir River and having borne witness to centuries of history, this bridge’s sixteen round arches cast a golden shimmer at sunset, making it a treasured Spanish landmark.    

Spain’s most stunning bridge?

According to voters, the moment of truth reveals the extraordinary Alcántara Bridge in Cáceres Province. This Roman architectural jewel - the tallest of its kind - has soared over the Tagus River for nearly two millennia. Its graceful robustness sets it apart as one of the most impressive public works of Roman engineering on the Iberian Peninsula.

The Alcántara Bridge, with its six impeccable semicircular arches and an inscription dedicated to Emperor Trajan, has withstood the comings and goings of people, wars and floods with timeless majestic demeanour. Indeed, Alcántara Bridge stands out as a paragon of Rome’s technical mastery and aesthetic style.

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A visit to the main spots to see in Trujillo well deserves a whole day. Francisco Pizarro's birth place enjoys a large gastronomical, monumental, and cultural heritage. Booking a ticket to Cueva del Castañar in advance is a good idea. The National Park of Monfragüe is another natural spot to enjoy. And if you are looking for more cultural options, the Guadalupe Monastery is perfect to relax and rest.

History of Trujillo

Understanding local history helps us appreciate better everything Trujillo has to offer. Celts had a castro here, called Turgalium by Romans. They urbanised the granite hill and called it Castras Juliae, being dependent on Norba Caesarina, today's Cáceres.

Visigoths gave it the name of Torgiella, building a basilica behind the walls of the current Puerta de Coria. Muslims occupied the town and reinforced its fortifications. They also held an important cattle market outside the walls, in what is now the Plaza Mayor of Trujillo. Around the year 900 they began to build the castle and its wall.

It was an important Almohad stronghold. However, it was conquered in a coup by the famous Portuguese knight Geraldo Sempavor. In 1169, Fernando Rodríguez de Castro the Castilian captured the Portuguese king and Sempavor at the Battle of Badajoz. In exchange for his freedom, he was given castles such as those of Trujillo and Montánchez to form a semi-independent lordship over León, Portugal and the Almohads.

In 1186, this lordship reverted to King Alfonso VIII, who ceded these castles to the orders of Santiago and San Julián de Pereiro. However, they were soon lost to the Moors. In 1232, King Fernando III definitively conquered Trujillo. The devotion to the Virgin of the Victory, whose image is placed on the wall between two towers to protect his city, goes back to that date.

Trujillo after the Christian conquest

The then called Truxellum received a fuero, granted by Alfonso X, and was later the scene of disputes between nobles. After the title of City was granted by John II in 1432, Isabella the Catholic established the Holy Brotherhood in Extremadura, reducing the noble disputes. As a realengo, similar to a Crown State, it was managed by a council that leased the meadows, carried out public works and provided various services. This brought much more self-government than to the towns under the jurisdiction of the Lords.

In the 16th century many indigenous people left to conquer America: Orellana, Francisco Pizarro, García de Paredes and Francisco de las Casas were the most famous. The Indiano families are responsible for several beautiful buildings that can be seen today in Trujillo. Since the end of the 16th century, the history of Trujillo has been marked by negative factors. For example, the ruin of the Crown, the abuse of the contour landowners or the arrogance of La Mesta. All this caused a notable impoverishment.

As Trujillo was on the Camino Real leading to the main square of Badajoz, it was the setting of fights during the Portuguese War of Restoration. Thus, in 1653, the inhabitants of Trujillo bought a joint vote in the Cortes to defend their interests.

Trujillo opened the 18th century with the War of Succession to the Spanish throne. Added to previous conflicts, it caused further ruin and desolation. At the time, some visitors described a series of semi-deserted streets and abandoned buildings. During the War of Independence (1808-1814) it was occupied for more than 11 months by the French, who explioted it economically. By the 19th century, it was already a large regional centre. Livestock trade stabilised the situation of the city, but did not prevent the exodus of its inhabitants.

What to see in Trujillo, birth place of conquerors

The trip can begin in the old intramural enclosure, the space that houses the original nucleus of the city. It develops around Trujillo Castle and is surrounded by the remains of the Muslim wall. The defence would be rebuilt after the Christian conquest.

It is possible to access the enclave from the Plaza Mayor of Trujillo, through the Puerta de Santiago. This is flanked by the Palace of Luis de Chaves el Viejo and the Church of Santiago, Romanesque building from the 12th century. The visitor's attention will quickly be captivated by the presence of Trujillo Castle, which can be reached by bordering the walls. It was raised by the Muslims on the hill of Cabezo del Zorro around the middle of the 9th century. The 12th and 15th century extensions are visible, when the second fortified enclosure of Albacara was added.

Trujillo's town centre, the origins of its people

The Plazuela de Santa María was the centre of the town within the walls. There is the birthplace of the conqueror of Peru, Francisco Pizarro, and now houses the Francisco Pizarro Museum (15th century). It also houses the Convento de las Jerónimas (15th century), in which the Museo del Traje has been installed. Finally, there is the Church of Santa María la Mayor. This is a 15th century Gothic temple, and its construction began two centuries earlier. The influence of the Romanesque style can be seen in the apse and the tower. Inside are the pantheons of the city's greatest lineages. It also has an interesting main altarpiece, in Gothic style and with panels by Fernando Gallego (15th century), as well as a Plateresque choir.

Near the western wall, there is what was originally the Convent of San Francisco el Real. The complex is popularly known as Convento de la Coria because of its proximity to the door of the same name. Carmen Ortueta and Xavier de Salas acquired the place, which was in ruins, and constituted a foundation dedicated to gathering the cultural relations between Spain and Latin America. It also houses the Museo de la Coria.

Nearby is the unique Calle de las Palomas, which links Santa María la Mayor with the Puerta de San Andrés. This street is home to the Casa de Francisco de Orellana (15th century), the discoverer of the Amazon. Also the Chaves-Calderón house, with the characteristic corner balcony of Trujillo's architecture. Opposite stands that of the Rol-Zárate and Zúñiga (15th century). At the end of the street is the Alcazarejo of the Altamirano family (13th century) and, defending the Puerta de San Andrés, the Casa Fuerte de los Escobar (15th century).

Behind the Church of San Andrés (16th century) is the impressive Muslim pool, which some authors identify with Roman baths. It is 11 metres deep and served as a public bath until 1935. Other nearby buildings are the Hospital de la Concepción and the Alcazarejo de los Bejarano. Such a bastion defended from the contiguous Puerta de Fernán Ruiz.

Trujillo's Renaissance nucleus and its majestic Plaza Mayor

Continuing is the Renaissance area. Its entire environment is the product of urban development corresponding to a considerable growth in population. The space has as its axis the Plaza Mayor of Trujillo. The extension dates from the 15th century, when the walled area became insufficient to accommodate the new settlers.

In the same Plaza Mayor of Trujillo was located the famous Picota, the largest in Extremadura, decorated with the coat of arms of the Catholic Monarchs. Today this landmark has been moved to the area of the Ensanche. Today, the equestrian statue of Pizarro, made in bronze by the sculptor Charles Rumsey (1929), presides over the place.

In the northwest corner sits the Church of San Martín, built between the 14th and 16th centuries. It is a mixture of Gothic and Renaissance styles. Its sober exterior is crowned with two towers, and it only has a single nave and an octagonal presbytery. On the right side of the temple is the Palace of los Duques de San Carlos (16th century), with its rich plateresque façade. The corner of the building is crowned by the family coat of arms, arranged as a classic corner balcony. The whole complex is finished off with a set of Mudéjar chimneys.

In the southeast corner of the Plaza Mayor of Trujillo stands the Palace of El Marqués de Piedras Albas (16th century). It has a porticoed façade, decorated with arches of Florentine influence. In the other corner is the Palace of El Marqués de la Conquista (16th century), built as the residence of Hernando Pizarro. It would be reformed by Churriguera in the 18th century. The most striking element of the complex is the beautiful corner balcony with the busts of the Pizarro family and the coat of arms of the conqueror of Peru. Nearby, the visitor will find the Old Town Hall and the Palace of the Chaves Cárdenas, of Neoclassical style.

On the north side of the Plaza Mayor of Trujillo is the Casa de la Cadena (15th century). Such a curious name derives from the symbol of the privilege of royal asylum granted by Philip II, which is displayed on its façade. Behind it are the Palace of Los Chaves Sotomayor (16th century) and the Church of La Sangre (17th century).

In the adjacent Calle de Ballesteros, there is another landmark to see in Trujillo. It is the Renaissance Palace of Santa Marta. Nearby, between the square and the Puerta de San Andrés, stands the Orellana-Pizarro Palace. It boasts a porticoed gallery between towers towards the outside and a Plateresque patio.

The New Town Hall has a more modern style and is installed in the old alhóndiga, opposite to the Palace of the Pizarro Aragón family. Also, the Palace of the Marquises of Sofraga, in the square of San Miguel, stands out for its corner balcony. Finally, there are several convents in the surroundings, of Renaissance or Neoclassical styles too. In addition to their architectural value, they preserve remarkable works of art.

Useful information to visit Trujillo

• Coordinates: 39° 27′ 45” N , 5° 52′ 58” W
• Distances: Cáceres 45 km, Badajoz 150 km, Madrid 250 km
• Altitude: 586 m
• Population: 8,619 (2024)

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In a country where centuries of diverse cultures have left their mark through multiple World Heritage Sites, selecting just one seems nearly impossible. Nevertheless, we asked expert travellers which Spanish city has the most beautiful old quarter.

The voice of the most experienced travellers

The Fascinating Spain community of followers shares a passion for exploring the country. Experiencing the magic and character of Spain’s cities deserves to be shared. That is why our travelling community has spoken, helping identify Spain’s most beautiful historic old town.

Though there may be only one winner, it is worth hearing the insights of seasoned travellers about Spain’s other extraordinary historic quarters.

Spain’s most breathtaking historic quarters

The top five begin with Salamanca, a city synonymous with architectural harmony, monumental wealth, and the golden glow of the stone from which it was built. Visiting its Plaza Mayor, the two cathedrals and the university is a journey through Spain’s most elegant history.

Fourth place goes to Córdoba, a city that boasts four World Heritage Sites. Córdoba blends whitewashed buildings with countless floral hues, breathtaking monuments, and echoes of the al-Andalus legacy.

Third place is awarded to Seville, also in Andalusia and home to Spain’s largest old quarter. Travellers praise not only the city’s majesty but also its cosy squares and narrow streets, contrasting with the monumental cathedral and the Royal Alcázar.

Spain’s second most celebrated old quarter is Toledo, the jewel on the River Tajo and a hallmark of cultural opulence and timeless traditions. Toledo’s old quarter stretches from the labyrinthine Jewish neighbourhood to the grandeur of the Alcázar, the setting for some of Spain’s most important historical events.

Spain’s most splendid historic old town

Given the great names already on the list, which city could take the number one spot? This honour goes to Cáceres, whose magnificent medieval and Renaissance old quarter is recognised as a UNESCO World Heritage Site.

Travellers mention its palaces, Jewish quarter, and ancient walls. Yet it is above all the legendary atmosphere that greets visitors as they cross into the old quarter that makes the experience unforgettable. Cáceres truly deserves its place as Spain’s most beautiful old town, according to the Fascinating Spain travelling community.

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Mérida’s immeasurable Roman heritage includes such archaeological treasures as its theatre, amphitheatre, temples and palatial homes. An ideal tour through history begins by crossing the Roman bridge that has joined both banks of the Guadiana River for the last 2000 years.

The world’s longest Roman bridge

To get an idea of its scale, a few facts will suffice. The Roman Bridge of Mérida extends almost 800 metres and is supported by 60 spans, breaking records for any other surviving Roman bridge from antiquity.

The fact that the bridge at Mérida is still standing is awe-inspiring when taking into account its construction dates to the end of the first century BCE. Erected at the time as key urban infrastructure, the bridge connected Mérida to the Vía de la Plata (the Silver Way) and to other urban centres like Toletum (Toledo) and Caesaraugusta (Zaragoza), on the banks of the Ebro River.

Spain’s other prominent Roman bridges 

The quality of Roman imperial architecture is indisputable. In Spain today, ancient Hispania for the Romans, Rome’s magnificent public works can still be viewed two millennia later. Moreover, many of its engineering feats and structures continued to function for centuries.

There are examples of Roman works found throughout Spain. Perhaps, the most famous being the Aqueduct of Segovia, though other lesser renowned but equally extraordinary ones still stand such as the Roman dam of Almonacid de la Cuba or the Roman bridges at Córdoba (247 metres long) and Alcántara (181 metres long), the latter crossing the Tajo River. Incidentally, while the Roman Bridge of Mérida may be the longest such bridge, the bridge at Alcántara is the tallest.

More wonders of Emerita Augusta

Emerita Augusta, present day Mérida, is an eponym paying homage to Emperor Caesar Augustus, who founded the city during the first century BCE. Since its inception, this city in the present-day province of Badajoz was planned as an urban centre of capital importance, whose surviving monuments from that epoch bear witness to its splendour and warrant the sobriquet of ‘little Rome’.

Any archaeology enthusiast will cherish a visit to Mérida, a city with more Roman monuments than any other in Spain. Other treasures can be found at the city’s National Museum of Roman Art, whose building design by Rafael Moneo blends ancient and contemporary architectural styles.

Other Roman architectural jewels include the Temple of Diana, the amphitheatre and the theatre, which is still used to stage productions. Moreover, ruins of its Circus Maximus, aqueduct, forum and thermal baths can also be discovered along with the world’s longest, still-standing Roman bridge.

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The history of Cáceres

Roman times

By the year 25 BC Romans established two settlements around a hill. They founded there the colony of Norba Caesarina. The place became an important city of the Silver Way. Therefore, there are many remains from the Roman road.

At the end of the 3rd century, insecurity caused the construction of a wall in Cáceres. The western door, also known as the "Arco del Cristo" (the Arch of the Christ), is still preserved. Those defences did not avoid that in the 5th century Visigoths razed the ground. Such the punishment was, that the city kept almost depopulated till the Muslim occupation.

Muslim times

In 1147, the small surviving village built a new wall. This was built with adobe by almohad Caliph Abd al Mu’min. Thanks to this wall, the city became a stronghold from which to defend against Christian raids.

Around 1164, the city was taken by legendary Portuguese knight Gerardo Sempavor. Three years later, when he was captured in Badajoz by people from León, he gave them Cáceres in exchange for his freedom. Nevertheless, five years later the city was reconquered by Almohads.

From the beginning of the 13th century the city was frequently attacked by people from León. It resisted very long sieges. Finally, King Alfonso IX conquered the city on the 23th April 1229. As this day was the day of San Jorge, he became the Patron Saint of the new city.

After the Christian conquest

The king gave a great site to Cáceres that attracted numerous inhabitants. They organised themselves into two different parties: people from León and people from Castile. Both would compete during a long period of time in order to get the 12 alderman posts of this city dependent on the king. Every party lived in their own neighbours, that actually worked as independent villages. Street fighting was common. Such conflicts would not end till 1477 when the Crown started to choose the authorities. As a result, rows ended.

Population seriously suffered during the Portuguese Restoration War. Together with Alcántara, Badajoz, Plasencia, Mérida and Trujillo, Cáceres bought a vote in the Cortes de Castilla (Castile parliament) in 1653. Thus, they wanted to defend their interests more efficiently.

Capital city of Alta Extremadura

At the end of the 18th century Royal Court was established in the city. Thus, the city was declared capital of Alta Extremadura in 1822, to the detriment of Plasencia. And later, in 1882, Alfonso XII gave it the title of "City".

Years went by until 1936, when Cáceres was taken without fight by the revolted forces against the Republic. In the following months a suppression was triggered that ended with the death of more than five hundred people. On the 23th July 1937, the Republica air force bombed the city. As a result, 35 people died and the Palace of Mayoralgo and the Church of Santa María, two beautiful places you must visit in the city of Cáceres, were damaged.

Best places to visit in Cáceres

The wall divides the urban structure into two zones. Within the walls are the churches of Santa María and San Mateo. Meanwhile, outside the walls we find the churches of Santiago and San Juan.

The Barrio Bajo: the Monumental city

This travel guide begins in the “old side” or “monumental city”. The Barrio Bajo is also known as neighbourhood of Santa María because of the Procathedral Church of Santa María. It was built in the 15th and 16th centuries and it is famous because of its bell tower with three areas. Inside there are three naves and rib vaults from the Gothic style. Its important main altarpiece date from the 16th century and is dedicated to the Asunción de la Virgen.

Just outside the temple, in the corner, is the sculpture of San Pedro Alcántara. It is a work by the contemporary artist Enrique Pérez Comendador. Acording to the legend whoever touches his feet will be lucky. That is why is really damaged at the present time.

In the same square is the Palace of Hernando de Ovando (16th century), which has an interesting cloistered courtyard. The Bishop Palace is identifiable by its elegant façade. The noble houses of Mayoralgo, Moraga or the Golfín-Toledo family are also worthy of attention. Another outstanding enclave is the Palacio de los Golfines de Abajo (15th century). It holds the most beautiful Plateresque front in the city.

Toledo Palace and surroundings

In the nearby Conde de Canilleros square is the Toledo Palace. It was built between the 14th and 17th centuries and promoted by the Aztec princess’ grandson Isabel de Moctezuma. This indigenous nobel got married with the captain from Cáceres Juan Cano Saavedra. Today it houses the central office of the Provincial Historical Archive.

Close to the back side of the cathedral church is the Palace of Carvajal, dated from the 15th century. It houses the Tourism Office nowadays. It has the popular corner balcony, the coat of arms and the voussoired round arch. In the Tiendas street you can enjoy the amazing view of the Espaderos tower. Isabel I ordered the removal of the battlements so that their aggressive owners would not use them as defences.

Another outstanding square in the city is that of San Jorge. There is the Church of San Francisco Javier, in addition to the Colegio de la Compañía de Jesús. Both buildings date from the 18th century and make a beautiful Baroque collection of historic buildings.

The other Barrio Bajo

Now we move to the other Barrio Bajo, that of San Mateo. The was built on the site of an ancient mosque. In the same square is the spectacular Palacio de los Golfines de Arriba (15th and 16th centuries), an authentic fortress-house. It preserves a beautiful two-storey porticoed courtyard and a keep. Nearby is the Gothic Convent of San Pablo and the Palace of las Cigüeñas. Finally, the Palacio of Las Veletas (15th century) stands out. It houses the Museum of Cáceres, where important archaeological, fine arts and ethnographic collections are exhibited.

In the vicinity of the Plaza de San Mateo, is the area of the adarves. This is the name given to the paths that surround the wall inside it. The Jewish community was really present in the city and it occupied two areas. On one hand, the Judería Vieja (Old Jewry), inside the walls. On the other hand, the Judería Nueva (New Jewry), outside the wall. The first one coincides with the neighbour of San Antonio and it has the characteristic narrow streets.

Outside the city walls

Outside the walls is the Plaza Mayor, presided by the City Council (19th century), next to the entrance to the monumental city. It was the place used to hold the market and there are also the Baroque Chapel of La Paz (dated from 18th century) and the Tower of Bujaco, built in a Romanesque style in the 12th century. It is 25 metres high, so it is one of the symbols of the city. There are finally in this area named because of two parish churches: Santiago and San Juan.

The Church of Santiago de los Caballeros is in the area of Caleros. Its Gothic facades will call our attention outside and the stunning main altarpiece by Alonso de Berruguete in 1557 inside.

The Church of San Juan Bautista (13th to 17th centuries), with its interesting Renaissance grille, is the protagonist of the San Juan neighbourhood. There are numerous palaces here, including those of Paredes-Saavedra (15th-16th centuries) and the Marquis of Monroy (14th century).

Useful information to visit Cáceres

GPS coordinates

39° 28′ 23″ N, 6° 22′ 16″ W.

Distances

Badajoz 89 km, Mérida 67 km, Madrid 300 km

Elevation

459 m

Population

96 441 (2024)

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‘Spanish Stonehenge’, a sunken treasure

The dramatic lack of rain in recent years has permitted the Dolmen of Guadalperal to momentarily escape from its watery prison in one of Spain’s largest reservoirs. It concerns a funerary monument as unique as it is unknown, at least until the drought brought it to light and its image spread like wildfire on social networks. A rather unsettling sight that reminds one of another ancestral treasure located thousands of kilometres away.

Due to its age, its shape, and its archaeological significance, the comparison between the Dolmen of Guadalperal and Stonehenge seems inevitable, even though the differences between both of them are notable. While the purpose of Stonehenge still remains a mystery, in the case of this marvel in Extremadura, it appears evident that it served as a necropolis. However, its visible remains only offer an inkling of how it may have looked thousands of years ago.

What you’ll observe today as the reservoir’s water descends is an arrangement of granite slabs set in a vertical position. In its day, these slabs served as support for a funerary chamber and formed a long passageway leading to it. Atop these stone slabs, others were placed horizontally serving as a roof. At the chamber entrance stands a two-metre-tall menhir. This structure was hidden and covered by a mound of earth and smaller stones that ultimately protected it for centuries against the passing of time and human activity.

The history of ‘Spanish Stonehenge’

Despite its significance, the Dolmen of Guadalperal has had a fickle history. Exactly when it was erected is unknown, but it does appear to be between five and seven thousand years-old. For a good part of that time, it has remained hidden away from human attention. Firstly, because of the soil, which allowed the standing stones to blend in with its surroundings, and later, owing to the dammed waters from the Tagus River.

It seems destiny was determined to conceal this fabulous megalithic structure from sight. Yet, every now and then it manages to show its face to the world to remind people of its millennial history. At least it has done so in the last century since it was discovered by the German archaeologist Hugo Obermaier.

A chance discovery

It was happenstance that brought this jewel to light. In the 1920s these lands belonged to the Casa de Alba and Obermaier was its priest. During a stay at the Guadalperal estate, he observed a grouping of stones that stood out on the land. His curiosity and his knowledge did the rest. After years of excavations, the dolmen was discovered.

Nonetheless, the funerary monument did not remain in view for long. Some 40 years later, in 1963, one of the country’s largest reservoirs, the Valdecañas, was constructed. No one seemed to notice the megalithic site. Neither its history nor its great relevance were enough to prevent it from being submerged underwater and, once again, being forgotten.

The rediscovery of Guadalperal’s dolmen

Since the 1970s and during periodic droughts, the dolmen has partially reemerged, making its structure visible. Nevertheless, this sight did not arouse much interest. Everything has changed in the last few years. The extreme absence of rain has marked a rebirth for the megalithic structure. Once again, it has been possible to behold this dolmen on many occasions in all its splendour.

However, what may be good news for archaeology enthusiasts may not be such good news for the monument itself. Firstly, its discovery has generated enormous excitement, mostly due to its comparison with Stonehenge. The megalithic site, like many other reemerged treasures found in reservoirs, has become a tourist destination. And this has exposed it not just to admiring gazes, but also to a lack of civility by those unaware of these stones’ value in order to take a simple photograph.

Secondly, it is bad news because the succession of environmental changes has not exactly benefited the health of the rock that makes up this monument. During those periods when the Dolmen of Guadalperal has been fully exposed, efforts at strengthening and documenting it have been carried out and it has even been granted the protected status of Bien de Interés Cultural.

Nevertheless, it seems improbable that the dolmen will soon be relocated to higher ground, something that was done with part of another site, the Roman town of Augustóbriga, which was threatened in its day by the construction of the Valdecañas reservoir. The ruins of two of its temples were moved from their original locations to be placed outside the floodplain and given a new beginning.

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Plan your getaway to Yuste

Although Yuste is a little village of the region in Extremadura, its monastery is just wonderful. The pleasant surroundings of Jarandilla de la Vera are close to the village. Besides, there are two uninhabited places in its surroundings. One is Granadilla, evicted in the middle of the last century, the other is the site of the Roman city of Cáparra. In addition, to the north there is the village of Hervás, which stands out for its Jewish quarter. If you prefer nature, not far away is the ‘Garganta de los Infiernos’ Park. Finally, to the south are the magnificent cities of Plasencia and Cáceres.

What to see in Cuacos de Yuste

There is much to see in Yuste. The monastery is located in the town of Cuacos de Yuste, only two kilometres away from the town centre. Its architectural complex has two distinct parts. There is the convent and the emperor's palace. The first mentioned is made up of several spaces with different functions: the church (15^th century) and two cloisters, one Gothic (15^th century) and a new cloister (16^th century).

The main access to the monastery is through a portico. In front of it is the west façade of the church. The church of the Monastery of San Jerónimo de Yuste has a single nave and is covered by tierceron vaults. It also has a star-shaped ceiling above the polygonal chancel. Above the altar is the main altarpiece, commissioned by Philip II from Juan de Herrera. This work includes a copy of the work of Apotheosis of Charles V. The original, by the painter Titian, is in El Escorial. The choir stalls are also interesting, which are from the 15th century. Its Renaissance decoration of floral patterns and fantastic themes is particularly noteworthy, which is made of walnut wood and is Gothic in style.

In the south part of the monastery we'll find the house of Charles V. This is a simple complex, which is made of brick, masonry and ashlar, with hardly any decorative elements. The main floor of the emperor's residence is austere, organised around a central corridor with two rooms on either side.

The imperial bedroom is located on the upper floor. The purpose of the room was to have a comfortable position to communicate with the church. Thus, this room to be seen in Yuste has a window that allowed the monarch to follow the religious services from his bed. This was vital, given that he was suffering from gout. The system is equivalent to the one that Philip II had in his quarters at ‘El Escorial’.

Finally, in the south façade of the palace there is a viewpoint, which provides the best postcards to see in Yuste. From there, you can see the pond and the garden of the monastery. These rooms lack the original furnishings due to the events mentioned above. However, the chair built especially for the monarch has been preserved. This was an effort to retain some imperial atmosphere. In addition, an impressive gold and platinum clock by Jeremiah Metzger is exhibited.

To sum up, Yuste and its monastery is a must visited if you are planning a getaway during this summer. This is the best spot to enjoy nature, but also to discover the historical past of the region.

Robledillo de Gata

Robledillo de Gata is located in the Sierra de Gata region, predictably, barely an hour and a half from Cáceres capital. When you say the words 'charming village' you probably imagine something very similar to this town, which has a very marked popular architecture.

Some of its must-see attractions are the Town Hall Square and the church of Nuestra Señora de la Asunción, which is a 16th century temple that stands out for its large wheel portico. A visit to the Oil Museum is also recommended, where you can learn all about the liquid gold. In general, walking through the streets of Robledillo de Gata is a pleasure.

Trevejo

Also in Sierra de Gata, more than a village, Trevejo is a village in the municipality of Villamiel. With only 24 inhabitants, it has one of the most photographed castles in the province of Cáceres. Its origins were a Muslim fortress of the 12th century and was rebuilt in the 15th century. Unfortunately, today only part of it is preserved. Otherwise, this medieval village deserves at least a walk through its streets to travel several centuries into the past. Of course, Trevejo is among the most beautiful villages of Cáceres.

Hervás

Located in the Ambroz valley, Hervás is not only one of the most beautiful villages of Cáceres, but of all Spain. Its streets are declared a Historic-Artistic Site and it has one of the largest Jewish quarters in Spain. It is decorated with flowers on all the doors and balconies, which its neighbors take care of.

Other popular spots in this town are the church of Santa María de Aguas Vivas and the bridge of Fuente Chiquita, which is of medieval origin and was part of the Vía de la Plata. Today the pilgrimage of the same name passes very close by, and sometimes hikers take a detour to spend the night in Hervás. As for traditions, Los Conversos, a festival of theater, music and gastronomy in which the coexistence between the Jewish and Christian communities in the town stand out.

San Martín de Trevejo

Different from Trevejo, although it is quite close. The houses of this Historic-Artistic Site are composed of facades with stone walls at the bottom and above one or two floors. In addition, these facades alternate very well the stone and wood, which makes them have a special charm. However, what is most striking about San Martín de Trevejo is its ancient dialect, whose origin is debated between Asturian and Portuguese.

Stand out as well the small streams that flow down some of its streets, coming from the Jálama. As for monuments, the church of San Martín de Tours, the monastery of San Miguel and the bell tower of the Plaza Mayor stand out.

Guadalupe

Guadalupe is a place of great importance for the people of Extremadura, since its monastery is home to its patron saint: the Virgin of Guadalupe. For this reason, the Real Monasterio de Nuestra Señora de Guadalupe, declared a World Heritage Site, is the place of greatest pilgrimage in Extremadura. In fact, in this town the Day of Extremadura is celebrated in a special way.

In addition, it was the place where the Catholic Monarchs offered the caravels to Columbus before discovering America. As for the building, it was built in 1340 by Alfonso XI of Castile and its altarpiece, the chapel of the Virgin, the Mudejar cloister, the Chapterhouse and the chapel of San Jerónimo, among other rooms, are worth a visit.

Trujillo

Just half an hour from Cáceres, Trujillo is one of the most beautiful towns in Cáceres because of how much it has to show. The castle, the church of Santa María la Mayor and the palaces in the main square are just some of its must-see sights. The famous conquistador Francisco Pizarro, who has a sculpture in the square, was born there. It is also one of the places in Spain where scenes from Game of Thrones were filmed. It also highlights the Trujillo Cheese Fair, where lovers of this food will have a great time. Other important festivals of the town are the Chíviri and its Holy Week.

Madrigal de la Vera

Representing the region of La Vera, where the famous paprika of La Vera comes from, this is one of the most beautiful villages of Cáceres. This area stands out for its gorges and pools in which to bathe, making it an ideal destination for the summer. In particular, the Alardos gorge and its bridge is one of the most photogenic places in Extremadura. Speaking of the gastronomy of Madrigal de la Vera, the kid, migas, peppers and slaughter products stand out. Undoubtedly, this is a perfect destination to spend a quiet and refreshing day.

Coria

In Coria there is much to see, but above all stands out the cathedral of the Assumption, which is Gothic-Plateresque style and began to be built in 1498. One of the details of its exterior is that you can see the spiral stairs and inside you can find what is said to have been the tablecloth of the Last Supper. However, the rest of the town also deserves attention, as it has a Roman wall, the Puerta de la Guía, the Puerta de San Pedro and the Puerta del Carmen. The Plaza del Rollo and the castle of the Dukes of Alba also stand out.

Granadilla

Granadilla has the particularity of being a ghost town, since its inhabitants abandoned their houses before a possible flooding of the Gabriel y Galán Reservoir in the 50's. Today it can be visited and, in fact, it has a lot of charm. Its main attraction is its castle, which is an old Arab citadel of the fifteenth century that can be visited inside and offers spectacular views of the reservoir. Other important points are its wall, the church of the Assumption and the houses of its former tenants. All of these have been preserved thanks to a government plan that has been active for decades.

Alcántara

By far the highlight of Alcántara is its spectacular Roman bridge, which dates back to the 1st century and has a length of almost 200 meters and a height of 60 meters over the Tagus River. Such is its majesty that the Assembly of Extremadura is trying to push for it to be declared a World Heritage Site. In addition, other local points of interest are the arch of La Concepción, the church of Santa María de Almocóvar and the church of San Pedro de Alcántara. Finally, the convent of San Benito is especially recommended, especially during the celebration of the Alcántara Classical Theater Festival.

Cuacos de Yuste

To finish this list of the most beautiful villages of Cáceres, Cuacos de Yuste could not be missing for being one of the most important places in the history of Extremadura. Also of Spain. It turns out that this was the village where Emperor Charles V decided to retire to live there the last months of his life. Today the Route of Charles V is celebrated to commemorate this historical fact.

The Monastery of Yuste is one of the most spectacular places in this town, which can also be visited inside. It is also advisable to walk through its Historic-Artistic Site and visit the German cemetery, where soldiers from both world wars are buried.

In conclusion, this is a province full of villages that are worth a visit. The most beautiful villages of Cáceres are waiting impatiently for travelers who want to enjoy its streets, monuments, traditions and gastronomy.

From the Interpretation Center is born the circular route of the Garganta de los Infiernos, ready to offer a gift for every sense. The walk begins through a simple track and in which one breathes peace. Although it is an ascending path, its route is easy and suitable for children. At the first fork, towards Puente Nuevo, we find trees that seem to guard the path. After the climb caused by the unevenness of the terrain, patiently awaits the truce. The Jarandilla fountain gives freshness to whoever comes across it. A perfect balm to get strength and continue with the route.

A natural gift that caresses the soul of the visitor

The landscape that awaits to be discovered from this stretch is like a dream. Chestnut and oak trees caress the soul of the hiker who walks through this forest, creating a magical atmosphere. Suddenly, a clearing on which the rays of the Extremadura sun rest. A moment of rest. Peace. A silence that can be touched fills the atmosphere, interrupted only by the chirping of the birds that have as home the tops of these trees. You can almost hear them singing at the same time.

A whisper brings the visitor out of this trance. Gradually, the murmur turns into a roar and the sight of a waterfall appears in the distance winding through the cliff. An almost must stop on the route of the Garganta de los Infiernos: The viewpoint of the Chorrero de la Virgen. From here, the hiker can look out over the abyss and contemplate how this waterfall furrows the horizon. The views of the Jerte Valley are unique.

After the plain comes, once again, the refuge of the young oak trees. Following the direction to the Interpretation Center, the view comes across a small oasis, guarded by a bridge. These pools are inviting under the summer sun. But the promise of Los Pilones attracts even more. The desire to dive into these natural pools increases as you walk along the path. But first, we'll have to wind through cliffs and jump over pools. The thought alone evokes the spirit of adventure.

Los Pilones, the crown jewel

As if by magic, the oasis reveals itself at the bottom of the cliff behind the Los Pilones sign. A rock formation that almost seems soft to the touch. The descent to this treasure of nature never seems to end. Until it does. And the dream of the pools becomes reality. The vision of Los Pilones forming an infinity goes beyond all expectations. And the sensation of the water on the skin, too. While the bather rests on the light gray of the rocks drawn by the water, one can enjoy a surrounding illusion: the Jerte Valley. Now it is time to go back, following the signs of the Interpretation Center, the point where we started.

Other hidden treasures in the Jerte Valley

Cabezuela del Valle is an exclusive environment of Extremadura is the ideal place to enjoy the rural charm of Extremadura before starting the adventure. The architecture, the old town, full of balconies and wooden arcades, and the walk along the Jerte River leave visitors wanting more.

Another jewel in the crown of the Jerte Valley is undoubtedly the Caozo waterfall. This is one of the most famous waterfalls in this natural enclave and in all of Extremadura. Almost 30 meters of water that will splash all the senses of the visitor from a privileged walkway.

Within the circular route of the Garganta de los Infiernos there is another easier trail suitable for children: the route of Los Pilones. A linear route of 3 km that will allow hikers to contemplate the pools of Los Pilones. And, for the more daring, the occasional swim. This place is synonymous with a unique environment that has it all: nature, adventure and... lots of water!

Roman Theatre of Mérida is still that, after 2000 years after its building: a theatre. And it has become the prince of Mérida’s sights as well, as José Menéndez-Pidal y Álvarez named it, architect and archeologist in charge of its main renovation in the decade of 1960 and 1970. For that, we know for sure that himself was in wonder.

Why was it important?

Let’s make things clear, Romans weren’t particularly fans of theater. Most of them preferred by far the passion they found in the battles of gladiators and which they let flourish, or the adrenaline they experienced with the carriage races. They wanted excitement and theater was more calmed. It didn’t match with their savage personality, but there were some lovers of Greece and its arts. People like Scipio Africanus, for example, who defeated Anibal and promoted the theater affection.

That is why, some centuries later, all good Empire’s population must have a proper theater, for appearance and politics. The colony from Emerita Augusta, head of the Via de la Plata, couldn’t be less. For that reason, under the reign of Agrippa, between years 16 and 15 B.C., when the colony was known as the capital of Lusitania’s province, this building was raised.

Therefore, Emerita Augusta knew how to join the population’s interests with the leaders’ ones. To this monument, intended for those who looked for a greek inspired entertainment, the Romans added an impressive collection of public buildings along the way. Some of them are the Roman Amphitheater, a circus, a Roman bridge over the Guadiana river, the aqueduct of Los Milagros or the Templo de Diana. All together in one place, a wonder indeed.

How did its history begin?

Here, Romans showed once again, their compromise with monumental architecture. They also showed their duty with the cheapening of production costs. That is why it was partially built above a hillside, as well as many other structures built under this Empire.

The amazing Roman Theater of Mérida was built with the purpose of giving space to almost 6000 spectators. If we compare it with the number of people the Amphitheater of Tarragona could host, 14,000, it seems just a tiny amount, but we have to keep in mind the priorities of the town. Then it was impressive that several thousands of spectators could enjoy performances of classical masterpieces in a society that give little weight to this kind of events. In other words, it was quite impressive. The size of this theatre supports our strong belief that this is for sure a wonder of the Ancient Spain.

Its sight is made up for a platform raised above the level of the orchestra, which has already thirty meters of diameter. Overall, this platform has sixty meters wide and seven meters deep. To finish, a thirty-meter wall satisfies the huge shock that is watching this historic place. This wall is divided in two groups of columns that hide surprises as well, like gods’ statues from the Roman world and several emperors, some of them beheaded. The statues, not the emperors. They seem to watch everything that happens very carefully. If you have the chance to come closer to them, you will see details that time haven’t had the opportunity to erase.

How has it reached our days?

Maybe the most surprising thing this place has is what we have talked about before: the fact that it still does the job for which it was built more than 2000 years ago. Especially knowing that it was abandoned, buried and forgotten for centuries. A complete stranger for the inhabitants that lived in this place, at least until last century.

Although it was renovated several times immediately after its building, the most important aspect of its evolution was right that it stopped evolving. When Christianism dictated that the legal representation was something very immoral, back in the 4^th century, the Roman theater closed its doors and the inhabitants turned their back. People, along with nature, buried the stands and used its land for agriculture. The Roman theater was used as support for the food production.

The only thing that remained in view was the upper stand It almost seems as it never finished trying to make its way through the land. That same people that didn’t know where their potatoes were grown, were aware that something stuck out from it, something with the shape of really big chairs. That is why these ruins were known as the Siete Sillas (seven chairs) since then. It wasn’t until the beginning of the 20^th century when the excavations started, and here they found… Well, a bunch more of chairs.

The theater appeared little by little. The main archeologist, responsible for the first works in this place, was José Ramón Mélida. José Menéndez-Pidal y Álvarez kept doing this job in the middle of the 20^th century, although in 1993 the theater came back as a spectacle to this impressive scenario. He did it with Margarita Xirgu, who was determined to give Caesar, the theater, what it’s Caesar’s, the theater. It was the beginning of the International Festival of the Classical Theater of Mérida. By the year 1953, after 19 years of pause, it was strengthened.

Why does it still amaze us?

This prince of Mérida’s sights is a historic gem that has survived not only time, but also the harshest abandonment. The cruelest one: obliviousness, ignorance. For a long time, it remained hidden underground. Even though, when it appeared, it did it with its own light. That is why it is a World Heritage Site since 1993, the year in which it got back the purpose for which it was built. Also, with a kinder audience that has let gladiators’ fights apart. That audience wants to see theater, and enjoy it seated in those old stands in which Romans used to sit. Along with the statues watching all that happens in scene, it is a stunning experience.

A bit of history about the Proserpina Dam

The Proserpina Dam or "Charca de la Albuera", as it is also known, is located very close to Mérida, in the province of Badajoz. The Romans began its construction in the 1st century BC, making it the oldest reservoir in Spain. Even in its early days it was of great importance, as it is believed to have been the main source of water for the ancient city of Emérita Augusta. From the reservoir, the liquid flowed through an extensive network of canals and reached the Extremaduran capital via the Los Milagros Aqueduct. This was a key factor in the fact that it was the capital of the great highway of Hispania, the Silver Way.

During its long life, it has also been the scene of historical events. Specifically, the Battle of La Albuera, part of the War of the Castilian Succession, took place in its vicinity. It was in 1479, when Juana la Beltraneja, supported by Portugal, fought against the army of Isabella I the Catholic. The Spanish troops emerged victorious from this battle for the throne of Castile.

Everything in this dam has a history, even its name. It is called Proserpina because of a discovery made many centuries later, in the 18th century. At that time, a tombstone was found in the vicinity on which the invocation to a goddess called Ataecina-Proserpina could be seen. The second part corresponds to the Roman goddess equivalent to the Greek Persephone. For its part, the first alludes to a Hispanic deity, with traces in another Extremaduran wonder such as Santa Lucía del Trampal. All of them were associated with spring.

The keys to the Proserpina Dam

Of Roman origin, abundant reconstructions over time have allowed it to look as impressive as it does today. This is helped by the fact that it is surrounded by a beautiful natural environment. The Proserpina Dam consists of a central structure that is clad with rows of granite ashlars in a staggered pattern. The ashlars are stones worked on all sides and are generally rectangular in shape.

The dam is 21 metres high and has 9 buttresses of rectangular section. In Roman architecture, buttresses were used as a pillar attached to a wall, in this case to the dam. As a reinforcement, it contains an immense earthen ramparts, a very useful element in sites fighting wars to conceal weapons. Its advanced architecture has contributed to the structure's incredible preservation.

Despite its great preservation, in the early 1990s work began on cleaning up the construction. When a large part of the reservoir was drained to make the work easier, something previously unknown was discovered. The buttresses at the base were curved inwards. It is thought that the first structure was about 6 metres long and the second, which is the one that remains out of the water today, was built on top of it.

Spots near the Proserpina reservoir

Nowadays, the reservoir itself is still the main option for enjoyment. The beautiful nature surrounding the Proserpina dam and its reservoir is a refreshing alternative. It is very common to see freshwater fishermen trying their luck with the marine fauna that inhabits the waters. In any case, hiking around the entire perimeter is the most recommended activity. Not for nothing is it home to part of a Pilgrims' Way to Santiago de Compostela: the Silver Way.

The Proserpina Dam is part of the archaeological site of Mérida, which was declared a World Heritage Site by UNESCO in 1993. Its great proximity and ease of access to this capital by the Autovía de la Plata and the A-5 make Augusta Emerita an ideal complement to this getaway. The theatre, amphitheatre, circus and the temple of Diana, among others, are outstanding Roman sites. However, the Alcazaba or Santa María la Mayor show that the city has many other valuable features.

The aforementioned access by motorway extends the opportunities. So, depending on where you are coming from, it is easy to fit a stop in first class towns into your journey. Trujillo if coming from the centre, Cáceres if coming from the north, Zafra if coming from the south and Badajoz if coming from the west. All of them do not disappoint and allow you to sample the cuisine of Extremadura, with its spectacular pork products at the forefront.

Read the complete history of the Roman theatre of Mérida here

A unique Roman landmark in Extremadura, that is why it is our Weekend Getaway

The oldest Roman reservoir in Spain, centuries of history and the scene of battles. All this as a source of water for the people of Mérida after the construction of another of the elements that form part of the archaeological site of Mérida, the Los Milagros aqueduct. What is not a miracle is the value it adds to the heritage of Extremadura, it is a fact that it has achieved by itself with the passing of time.

A convent custom made

In his 63 years of life, Saint Peter of Alcántara was a clear example of poverty. Born in 1499, the friar combined periods in his small convents with travels. Although he did not perform acts of pomposity, he was able to meet some of the great personalities of the time. For example, he became friends with Saint Teresa of Jesus. She found comfort in her colleague's example of austerity.

His ups and downs finally led him to Arenas de San Pedro, a beautiful village in Ávila. There, from a hermitage, a convent was built, which today is his sanctuary. Of course, what you see today, dating from the 18th century, has nothing to do with the saint's foundation. But before that, and before refusing to become confessor to Charles I in Yuste because that would be selling himself, he built his emblematic building. A faithful reflection of his mentality, it is located in San Pedro de Acim. It is El Palancar convent.

Sobriety turned into architecture

Purely Franciscan, the original space of the monastery is still preserved. However, it should be noted that later extensions were made in the form of a new cloister and facilities. These should not be confused with the original part. This is barely 60 to 70 square metres in size. It was a small space that contained all the facilities required for a monastery: refectory, chapel, kitchen, cells and cloister.

He built it in 1557 following a donation from his friend Rodrigo de Chaves. There was only a small house when he got there, but he succeeded in setting up the Conventico. He was accompanied by another friar. Between them they barely entered the chapel, according to the chronicles. It should be noted that St. Peter of Alcántara was a very tall man. He reached a height of one metre ninety, a stature that stands out today but which was even more remarkable at the time.

This factor makes his personal cell even more surprising. It was the smallest of all and did not even allow him to stretch out. Saint Teresa herself narrates that he spent two hours sleeping, lying down with his head on a wood. An uncomfortable and unnatural position that he held at night for some 40 years, according to the saint. Fortunately for his companions, the other rooms were somewhat larger and could accommodate a bunk bed. Quite a luxury for the  Conventico.

EL Conventico nowadays

The extensions that happened to the convent of El Palancar allowed the number of friars who lived in it to increase. There are currently around ten friars. A small orchard, in keeping with the size of the original, spreads out around the Conventico. The landscape is dominated by pasture land. This is typical of this area of Cáceres, close to the provincial capital and Plasencia. Isolated, the peace sought by Saint Peter of Alcántara can be felt.

Thanks to the community that populates the monastery, it can be visited freely and with a guide. In spite of this, it is normal to donate a symbolic amount for its conservation. The tour allows you to see the cloister, made up of just four wooden posts, one for each corner. Also the kitchen, an austere room in a condition very similar to the first one it had. It has just a few pots and pans and a hearth, around which the friars would squat down to dine with some suffering.

The chapel is striking because it retains a striking decoration based on simple mosaics. Although crude, they add a surprising amount of colour. Blue predominates, as well as an Alcantara cross. This contrasts with the sparse ochre tones that prevail in the whole. In addition, there is a figure of the saint that completes the very Franciscan space.

Around the Conventico there is a wide variety of landmarks that serve as a base for a visit and a getaway. For example, stops on the Vía de la Plata, Roman road and Way to Santiago de Compostela, such as Cañaveral, Grimaldo or Galisteo. In the latter, its Arab walls, in an exceptional state of conservation, are the most notable feature. The José María Oriol/Alcántara reservoir, Cáparra or the Llanos de Cáceres, as well as the Monfragüe National Park, are also alternatives that are just a stone's throw away.

Three other alternatives are more monumental. Cáceres has a historic centre, essentially Renaissance, which is perfectly preserved. This has enabled it to become a World Heritage Site. Plasencia also boasts a huge number of monuments, including a pair of cathedrals. Coria, on the other hand, has an ancient appearance that matches its great antiquity.

It is one of the most remarkable trencadís buildings on the planet. Not only because of its similarities to Gaudí's work, but also because it stands out on its own in the panorama where it is built. Francisco's idea was not limited to the enjoyment of his children. Although at night it served as a residence for his whole family, during the day he wanted to turn it into a tourist park. A place that reminds us of other recent works such as the Colomares Castle, a tribute to Columbus in Benalmádena.

Making Afredo Gonzalez's fairy tale come true

It was in 1988 when Francisco González finally began to build a place that can be considered unique. The main reason is that it does not follow what would be considered as architectural logic. Straight lines are notably missing, giving way to curved and rounded forms. The idea was to make it as similar as possible to a fairytale castle and, once it was finished, both he and his family could live there. Unfortunately, reality did not want this. The name of his work comes from the lost surname of his ancestors, as both his grandfather and his father were called "Cotrina", and it was his wish to perpetuate it.

In 2010, Francisco commented in an interview that he wanted to finish it in the next few years. Until that moment he spent his weekends continuing it, but he had to stop. Due to an impediment from the Town Hall he could not continue building, as it was considered to be an illegal project. In spite of this he had a positive attitude and was confident that he would be able to obtain the permission to build in the area and continue with his work. He even intended to build some flats next to the swimming pool according to the design.

At that time he was in the middle of building his bedroom. It was connected to the rest of the house by a tunnel that resembled the body of a worm. The head would be the room itself. However, in 2016, while he was driving, he began to feel ill and, in the middle of El Pozo street, he ended up dying from a heart attack. A tragedy that was a shock to the followers of his work and his own family. Probably to his dismay, he left his work unfinished, although it was bequeathed to his children so that they could continue it.

Style and influences of El Capricho de Cotrina

The style of El Capricho de Cotrina can be described as gaudirreoid, i.e. very similar to that of Antoni Gaudí. This is due to the use of tiles, colours and shapes that look more like a dream than an ordinary house. The Modernist style of the Catalan artist was undoubtedly an inspiration for Francisco. Despite this, he always insisted that the comparison was not right. Gaudí, he said, built pharaonic works and this was a simple house for his children. Be that as it may, the comparison with Comillas' also little Capricho is inevitable.

Trencadís is the procedure used along all its railings, stairs, domes, terraces and even the bathroom. A modernist style that was born in Barcelona, consisting of breaking and splitting up into pieces of tile and then reassembling them to stick them on the walls. Glazed ceramics are used to ensure that the light is reflected in the colours as much as possible. This peculiar and uneven style is achieved as a mosaic. The Park Güell and its salamander is a clear example. In the case of the Extremaduran castle, it gives it its ugly aspect.

With 183 square meters, around the house there are also other buildings such as the pond with a waterfall. Of course, always respecting the principle of not containing straight or symmetrical lines. Apart from always including motifs related to nature; such as suns, moons or acorns, very typical of Extremadura. Francisco said that he did not even know Gaudí's work when it was first built. But once he was soaked in it, and in spite of being only a bricklayer, many students and even teachers contacted him for advice. He even received commissions to build similar structures.

What makes the Capricho de Cotrina special

It is not only its technique and history that make this semi-palace unique. Although Francis did not study architecture, he did have a marble company with his brothers. He also covered the entire monument with interesting details, such as the shape of the worm that crosses the rooms. Also the shower, symbolizing the morning dew. Circular windows, revolving doors decorated like a peacock or colourful flowers in relief are also on display. The serpent coiled around the room, which would have belonged to Francisco, cannot be overlooked. It was one of the last details he worked on.

He is also the designer of two fountains that he donated to Los Santos de Maimona and which correspond to the same style as the Capricho de Cotrina. One of them is dedicated to blood donors and the other to day labourers. Its main door is also interesting. It weighs no less than 400 kilos and had to be installed with the help of 12 people. Although sadly he could not finish his life's work, his children continue his legacy with the aim of finishing it one day.

While still alive, Francisco commented on the financial difficulties he had in finishing the wooden doors and windows. Today, it is possible to visit the site, on weekends and for free. It is worth mentioning that it is one of his daughters who makes the guided tour both inside and outside the Capricho de Cotrina.  It is possible to leave a donation, optional, that contributes to finish the fairytale castle that one day Francisco promised to build for his children.

A flourishing city on the Vía de la Plata

This is how Cáparra was during a large part of the Roman Empire. However, its history goes back to more ancient times. It is believed to have been a Veton site, belonging to this pre-Roman culture of Celtic origin. The place name Capera and its derivatives like the present one come from this past. During the first stages as a city attached to Rome it was stipendary. This means that it maintained a certain independence in exchange for giving tribute and participating in the dynamics of the army.

The passage of the Vía de la Plata, which connected modern-day Astorga and Mérida, meant that it was quickly Romanised. In addition, the benefits of trade were extensive. Its great moment came as a result of a law passed in 74 AD, when Vespasian promulgated the Edict of Latinity. As a result, the provinces of Hispania came under the Ius Latii or Latin Law. This meant that its inhabitants were granted citizenship. To do so, they had to join a Roman tribe, the one chosen by the emperor being the Quirina. Thus, Cáparra became a Municipium.

The development was made around two main streets, the cardus and the decumanus. The Via de la Plata coincides with the latter. At the crossroads was the Arco de Cáparra, which will be described later. Baths, forum and domus complexes, large Roman houses that sometimes had separate spaces for shops that were built on their ground floor. A wall of a more symbolic than defensive nature surrounded the city, in which the Veton past could be seen through details relating to temples or in the names of the inhabitants.

The symbol of the Vía de la Plata in Extremadura

At the end of the first century of this era, the Arco de Cáparra was raised, reaching 13 metres in origin. Almost square, it is the only example of a four-sided arch that survives in Spain. This type of building is known as tetrapylum. An inscription on it tells us who commissioned it. It was Marcus Fidius Macer and he did so following the bequest of his parents, Fidius Macer and Bolosea, who are also named.

It is the best preserved monument in the Roman city of Cáparra. However, another one, corresponding to one of the gates, survived until the end of the 18th century. Unfortunately, the inhabitants of Guijo de Granadilla dismantled it in order to use its stones to build a small temple. Its figure defines the landscape of the surrounding pastures. On one of its sides there are two pedestals that once supported two sculptures. It is believed that they were probably related to Marcus Fidius Macer.

The particularity of the Arco de Cáparra has meant that it has become a current symbol for the road that crossed it. Over the last few decades the Via de la Plata has been recovered as a cultural route. Its branches extended beyond Mérida and Astorga in Roman times, reaching Cádiz, for example, through the Via Augusta. Such an extensive route was used even before the Romans, for example by the Carthaginians and the Celtiberians. However, when it became a road, it became the junction that connected the north and the south of the peninsula.

The Way to Santiago took advantage of its communicative capacity and was the favourite route from the south. Today, it gathers pilgrims from Seville and Huelva. It advances to Aldeanueva del Camino and the thermal waters of Baños de Montemayor in the vicinity of Bejar. Among its ends is the Sanabria route, which goes through Puebla once it passes Zamora. In Extremadura, the milestones which follow this ancient road use the Arco de Cáparra as an identifying element. For this reason, the passage under it is a very evocative moment, in one of the hardest stages of the route, almost 40 kilometres without hardly any stops.

Depopulation of Cáparra

The city evolved and came to have an amphitheatre on its outskirts, even a reservoir. During the crisis of the 3rd century, when instability caused the Roman Empire to tremble, it erected some walls and many of its domus became residential blocks. However, it managed to hold its own during this period. The transition to the Middle Ages, however, was more problematic. As an enclave that lived off trade and agriculture, the barbarian invasions led to its rapid decline.

There are no records that mention it during the Arab conquest of the peninsula. This suggests that by then it was little more than a village. Some experts suggest that it was completely abandoned. Experts such as Enrique Cerrillo point out that small neighbourhood communities survived in what was once a city for centuries. The foundation of towns such as Plasencia condemned the old population to not be reborn. Their land was divided between this town and Coria.

Already in the Modern Age there are testimonies that place in it a sale with several inns. The displacement of the communication routes outside Cáparra meant that even these disappeared. Therefore, the depopulation ended up being total. The ruins were damaged over the years and the deterioration was absolute. To make matters worse, as mentioned above, the arch of one of the gates was destroyed in 1728 to make use of the resulting materials.

A complex surrounded by attractions

Archaeological and cultural interest in Cáparra is not new. Since the Renaissance this Roman legacy has been valued. Illustrated and Romantic people paid their attention to the place. However, the main works were carried out in 1929, at the end of the eighties and beginning of the 21st century. They are still active. It also has an interesting visitors' centre that serves as a stopping point for some pilgrims on the Way to Santiago, sometimes even at night. It is open every day except Monday and Sunday afternoons.

The thermal baths are the best preserved remains apart from the Arco de Cáparra. It is complemented by the remains of the forum, the domus and two of the three main gates of the city. Near the urban area, there is the bridge of Cáparra over the Ambroz River. This waterway fed the city and its surroundings. Its two main arches are confirmed as Roman and are in a great state of conservation. However, the adaptation and widening to allow a national road to pass through it meant that it was flattened and much of its original appearance was lost.

Surrounding the lost city of Cáparra are meadows of extraordinary beauty. The one in Casablanca offers routes, for example. Furthermore, between Venta Quemada, six kilometres away, and Carcaboso there is a signposted path, part of the Jacobean route. This way you can travel freely. Another walk of about seven kilometres connects with Oliva de Plasencia and passes through the grounds of the Antonio López Gibaja cattle farm. Wide barriers make this route safe, which pilgrims use to reach the ruins from the aforementioned village in Extremadura if they decide to spend the night there.

A village with their own dialect and far from everything

This is possibly the most isolated town in Spain, located in the Sierra de Gata and bordering Salamanca and Portugal. This geographical isolation may explain why it has an old town far from all the stereotypes of Extremadura. It also conserves its own dialect, A Fala, which has been declared an Asset of Cultural Interest.Its location between the Gata and Malvana mountains means that it almost always takes a considerable amount of time to reach this place. Such isolation can be seen in the architecture, the language and the low number of visitors. It is not a typical tourist destination. There are no other tourist destinations within a short distance, so those who go there only go there. Therefore, trips to additional towns are not recommended. Thus, the ideal is to prepare a getaway of several days to enjoy the atmosphere and what to see in San Martín de Trevejo.

History of San Martín de Trevejo

From ancient times

A funerary stele now on display at the old Tourist Office confirms that the town was already inhabited in the Final Bronze Age. Romans also left their mark on these lands, as can be seen from the road that winds through the mountains. The population would later be occupied by the Berbers. They were the ones who left the techniques of cultivation, so important for the economy of the Sierra de Gata.

San Martín de los Vinos

The area was reconquered by King Ferdinand II of León in the 12th century. In order to defend it, he gave it to the Order of Saint John of Jerusalem in 1184. This date is considered to be the historical foundation of San Martín, which would be born as a village of the Encomienda de Trevejo. Given the winemaking tradition of the area, it was originally called San Martín de los Vinos. The name changed to San Martín de Trevejo when the charter was drawn up in 1230 to speed up the repopulation of the area.

The territory became important when the Knights Hospitaller moved the centre of the bailiwick to San Martin. As a result, they built the Casa del Comendador, from which the surrounding towns were administered. In 1520, when the war of the communities broke out, San Martín remained at the side of the monarch Charles V. This position during the conflict earned him the title of "Very Noble and Loyal".

The most important town in Sierra de Gata

In 1642, as a result of the Portuguese War of Independence, the village was razed to the ground. Such destruction meant that it was decided to build it again, but at the highest point. The foundation of the Franciscan convent, as well as its administrative, political and religious importance, made San Martín de Trevejo the most important town in the Sierra de Gata, head of the Corregimiento de Jálama. Already in the War of Independence it was a base for the Spanish army. From there, orders were sent to the troops stationed in the nearby towns.

In 1833, the territorial reorganisation of Javier de Burgos transferred the town from Salamanca to Cáceres. The wine and oil trade, together with a flourishing textile industry, enabled him to maintain his regional prominence. However, it gradually lost weight throughout the 19th century.

A Fala

As a result of the area's geographical location in relation to Portugal and the origin of its first settlers, from León and Galicia, the dialect known as A Fala was born. This characteristic is shared with the neighbouring towns of Eljas and Valverde del Fresno. It is still debated whether it is a derivation of Spanish, Portuguese or Galician, even if it is a language of its own. On the other hand, in San Martín de Trevejo it is called mañegu, in Valverde, valverdeiru and in Eljas, lagarteiru. Today it is still in use thanks to the isolation of this corner of the Serra region. It is present in all areas and places: in the names of the streets, on the signs of the shops and, mainly, in the conversations of the locals... For this reason, the Spanish-speaking visitor should not be surprised if he finds terms that are difficult to decipher during his visit.

What to see in San Martín de Trevejo

A carefully designed architecture

Of all the things to see in San Martín de Trevejo, the first thing that catches your eye is its carefully designed popular architecture. The ground floor of the houses, once used as a wine cellar or a stable, is made up of large granite walls. Also made of this material are the steps or poyos that bridge the gap between the street and the door. Other two floors rise up from this floor, supported by carved wooden beams. The first floor is used for housing and the second for storage. The façades are made of wood and adobe. Water runs down the slope of the Jálama runs incessantly through the streams or "regatos", which are used by the residents for irrigation.

Main Square

The Plaza Mayor of San Martín de Trevejo is its true social centre. It has a rectangular layout and two of its facades have wide arcades that rest on robust granite pillars. In one of its corners, the Bell Tower of the old church rises up. The church was destroyed in the Portuguese War of Independence. The building still bears the coat of arms of Emperor Charles V. Towards the centre of the square there is a circular fountain dating from 1888. Finally, the eastern flank is occupied by the Casa del Comendador, the former residence of the master of the Encomienda de Trevejo.

The past associated with the Order of St John of Jerusalem can be seen on the emblazoned facades of the manor houses. Particularly noteworthy is the Casa de los Ojesto, which is large and contains important archaeological remains. Finally, there is the Casa Rectoral, with a linteled doorway, and the aforementioned Casa del Comendador.

A church full of masterpieces

Another place to see in San Martín de Trevejo is the Church of San Martín de Tours (17th century). It is a construction with three naves that houses important works of art. Among them, the three tables attributed to Luis de Morales, El Divino, representing the Eternal Father, Saint Michael and Saint Matthias stand out. They date from the 1570s. Also worth noting are the main altarpiece and the Baroque images of St. Peter and St. Paul, from the Salmantine School.

A very important convent

On the outskirts of the village is the Convent of San Miguel. Only the church and the tower survive from their original construction. According to tradition, Saint Francis of Assisi himself was responsible for locating a hermitage there. It is assumed that he would have done so when he passed through the Alto de Santa Clara, which linked Extremadura with Castile. In 1454, Pope Nicholas V authorised the construction of the imposing convent. From its foundation it became a training centre for the whole region. Studies of Moral Theology and Grammar were taught in this beautiful place to be seen in San Martín de Trevejo. Capuchins and Jesuits later occupied the monastery, which has now been converted into an inn.

Wine and Oil

Besides the water, present in its streets and fountains, two are the liquids that have marked the life of the place since remote times: wine and oil. That is why the boiga, a wine cellar in mañego, are essential places to see in San Martín de Trevejo. Here you can soak up the local winemaking tradition of the Sierra de Gata. As for its olive oil, it has the Gata-Hurdes Denomination of Origin. Both products are the protagonists of the Oil and Wine Museum, located in a 12th century oil mill. It consists of three sections. The first houses the oil and wine rooms, while the second houses the press, the mill and the blender. Finally, the third one is for the decantation, the oil tanks and the turbine.

The best views

A Roman road leads to the Port of Santa Clara, at an altitude of 1,000 metres. On the way, oak and chestnut forests intermingle in the Mount Jálama landscape reserve, which still has tunnels and excavations from its previous mining use. The Castañar de los Ojestos or the bridge over the river La Vega are other attractions found before the summit. From the heights you can see the Castle of Rapapelo and the Towers of Hernán Centeno, a famous legendary bandit.

Must see

Useful Information

PRACTICAL DATA

Coordinates

40° 12 46.24 N, 6° 47 46.75″ W

Distances

Cáceres 137 km, Madrid 136 km.

Parking

Recommended on the outskirts of the village.

Elevation

796 m.

Inhabitants

883 (2013).

FESTIVITIES

This peculiar bridge is 3.2 metres long and 1.45 metres wide, making it the smallest international bridge in the world. So much so that, as you might expect, no cars pass over this bridge, although motorbikes, bicycles and pedestrians do. Specifically, this bridge is known as El Marco bridge and joins two districts: Arronches, in Portugal, and El Marco, in Spain. This Spanish district belongs to the municipality of La Codosera, in the Extremaduran province of Badajoz.

The first bridge was built centuries ago

The small viaduct was built by the neighbours who lived nearby centuries ago. At that time, however, the bridge consisted only of wooden planks with which to cross the narrow river. But these planks were not enough, because as soon as it rained heavily, it was washed away by the river.

Although with the passing of time elements were incorporated that have given stability to the bridge (and security to the neighbours who cross it) it was not until last year 2008 that it was completely remodelled. The project turned the home-made arrangement consisting of wooden planks, metal plates and a weak handrail into a real construction that demonstrates the cooperation between both countries.

Other details were also added to emphasise the peculiarity of this being a border bridge: on each side of the bridge a stone was placed with the E for Spain and the P for Portugal, so that it indicates which country you are in when you cross it.

Today, the crossing between La Raya (land border) and Portugal is permitted. The Schengen Treaty, which has been in force since 1995, allows the free movement of people and goods between the two countries, which was not the case before. People therefore solved it by smuggling, as on the El Marco bridge, where they offered wine and pots from one side and towels, tobacco and coffee from the other.

The only trout river in Badajoz

La Codosera is a municipality located in the province of Badajoz to which the districts of El Marco belong, where the world's smallest international bridge, Bacoco, La Rabaza, La Varse, La Vega and La Tojera are located. This is a municipality that borders on Portugal, which gives the town very specific characteristics in terms of diction. If you take a walk through the old part of the town you can see typical buildings of La Codosera.

In summer, a refreshing option is to visit the natural pool complex on the River Gévora, five kilometres from the town. Located in a rich natural landscape of high ecological value, there are three natural pools in the riverbed with different degrees of depth. In addition, the quality of the waters of this river makes it the only trout river in the province of Badajoz. Thus, every season many fishing enthusiasts gather in its course.

Among the religious buildings that can be seen in La Codosera, the parish church of Nuestra Señora de la Piedad stands out. This temple is built in a Gothic-Renaissance style, so experts believe that it could have been built in the last years of the 15th century or at the beginning of the 16th. However, it has some elements that were added in the 18th century. For its part, the high altar belongs to the transitional period between the Renaissance and the Baroque, and corresponds to the Mannerist style. There are different carvings on it, among which is the head of the parish: a carving of the Virgin of La Piedad holding the baby Jesus in her arm. Other temples to see in La Codosera are the hermitage of Nuestra Señora de la Luz, the sanctuary of Nuestra Señora de Chandavila and the hermitage of La Varse.

Alburquerque

This small village in Sierra de San Pedro preserves vestiges of a Jewish population in a synagogue located in the Medieval Quarter or "Villa Adentro", within the walled enclosure. It also shows different defensive towers such as the Clock, the Cabrera or the Rocha. The monumental complex also includes several temples. The most outstanding is the church of Santa María del Mercado and its Renaissance altarpiece from the 16th century. Also worth a visit are the Parish Church of San Mateo from the 16th and 17th centuries, the convent of Madre de Dios with a Churrigueresque main altarpiece from the 18th century and the hermitage of Nuestra Señora de la Soledad from the same period.

But in Alburquerque the Castle of Luna stands out above all. It still has important defensive elements, such as access ramps and four entrance doors that converge in the parade ground. The church of Santa María del Castillo and the watchtower of the Keep are located here.  This was built by Don Álvaro de Luna for the wars in favour of Juana de Castilla, called "La Beltraneja". Meanwhile, the tower of the Cinco Picos and a drawbridge of more than 10 metres complete the complex.

Azuaga

This beautiful village in Badajoz, Azuaga, is located on the edge of Sierra Morena, within the Campiña Sur region and on the border of the Andalusian provinces of Seville and Cordoba. Curiously, its name comes from a Berber tribe, the "zuwaga", who settled in the area during the Al-Andalus period. It was reconquered and reincorporated into the kingdom of Castile and León by a Master of the Order of Santiago, Pelayo Pérez Correa. Its most important building is undoubtedly the Castle of Miramontes, despite the fact that it is now in ruins.

The Mudejar hermitage of San Sebastian y los Santos Mártires dates from the 15th century. Somewhat later is the Parish Church of Nuestra Señora de la Consolación, declared an Asset of Cultural Interest. This is one of the most important Gothic temples in the whole area due to its decoration. In fact, in size it is only behind the Cathedral of Badajoz. The typical houses show clear Andalusian influences. At the same time, the large noble houses have facades with baroque and neoclassical influences.

Burguillos del Cerro

Located halfway between Zafra and Jerez de los Caballeros, Burguillos del Cerro was populated by different cultures throughout its history. Among them are the Celtic, the Roman, the Visigoth, the Muslim, the Jewish and finally the Castilian. The town, coming from the different "burgos", was initially settled on the hillside near the castle located at the top of the hill. However, it later decided to expand into the plain.

As in most towns in the province, religious buildings play a major role. In this case, the church of Santa María de la Encina stands out. From the 13th century, it is now the Visitors' Centre for Popular Architecture. The churches of San Juan Bautista from the 14th century and the Franciscan Conceptionists from the 16th century should not be overlooked. To finish with the sacred art, there are the hermitage of El Cristo and the monastery of Las Llagas de San Francisco from the 16th century. Following the monumental route, it is time to go to the Plaza Alta. There you will find the Casa del Corregidor and Cárcel Real from the 16th century, which houses an archaeological exhibition, as well as municipal archives from the 17th, 18th and 19th centuries.

Feria

Feria is located on the southern slope of Sierra Vieja and has been declared a Site of National Historical Interest. Philip II granted the Señorío de los Suárez de Figueroa the title of Counts of Feria, later Dukes, which gave the town its name. Remains of Celtic, Roman and Muslim settlers have been found. The latter are attributed with the construction of a primitive fortress in the place that today occupies the castle of Feria. It is at the top of the village, with a quadrangular tower with rounded corners, 40 metres high.

Streets with slopes adapted to the topography of the land and whitewashed houses make up a beautiful postcard. A square with Mudejar-style arches serves as a link between the Casa del Concejo and the parish church of San Bartolomé. In it, the Renaissance Evangelio façade stands out. At the beginning of May, Feria de la Santa Cruz, of regional tourist interest, is held. Nearby is the dolmen of the Casa del Monje, with a chamber made up of seven large slate stones and a corridor. One of the most beautiful villages of Badajoz.

Fregenal de la Sierra

This municipality is located at 572 meters above sea level in the middle of Sierra Morena. In the centre of Fregenal de la Sierra you will find its castle, with seven towers, a market square, a bullring and even a church. However, once again, this place of worship is not the only one. The village also boasts the parish church of Santa María la Mayor, with a main altarpiece from the 18th century; the church of Santa Ana, with a main altarpiece by Roque Balduque, and the 15th century church of Santa Catalina. In the latter, we should pay attention to the two Roman capitals of the extinct city of Nertóbriga. Both support water basins. Also worthy of mention are the chapels of the Virgen de la Salud, in whose honour the festival of the "danzadores" is celebrated.

The patron saint of Fregenal, the Virgen de los Remedios, also has her own tribute in the small hermitage located in the middle of the pasture. A walk through the streets of the municipality allows you to enjoy the popular architecture, with whitewashed houses, decorated with balconies and grilles. But also the noble architecture, with linteled houses with coats of arms. As in Burguillos, the building of the old prison is located in the main square. The International Festival of La Sierra, a Festival of Regional Tourist Interest, is held in August.

Fuente del Maestre

Fuente del Maestre is located in the Sierra de San Jorge, about 45 km from Merida, and also holds the title of "Asset of Cultural Interest". The village's name comes from the 16th century Fuente del Corro, which is located in the Plaza del Gran Maestre. During the Middle Ages it was one of the biggest fortresses of the time thanks to the walled enclosure and moat that surrounded it. Of the 13th century wall, a canvas of about 200 metres has been preserved in Calle Cava.

Once again the religious buildings are very important and among them all the Candelaria Parish Church built on top of an old church with a Mudejar style tower from the 15th century. It is worth mentioning the combination of three architectural styles: the tower in Gothic-Mudejar style, the nave in Gothic-Catholic style, and the transept in Renaissance style. The Gothic Perdón door, the main door and the altarpiece of the high altar, considered one of the best in Extremadura, are also outstanding.

As far as civil construction is concerned, there are several spaces to look at. For example, the palace of El Gran Maestre from the 14th century and Mudejar style. The town hall, on the other hand, is of neoclassical and 18th century style. Later, from the 19th century, is the palace of Gómez-Jara. Other monuments to visit are the Temple's house-palace, the Quintanos' house, the Marqués de Lorenzana's palace and the Ovando's house. As a curiosity, the mosaic that occupies the Plaza de España has characteristic elements of art deco. A jewel of Badajoz.

Jerez de los Caballeros in Badajoz

Located in the foothills of Sierra Morena and very close to Portugal, this monumental village in Badajoz with a Templar past has much to tell. Jerez de los Caballeros, Ceret, for the ancient Phoenicians, preserves many archaeological remains of various settlements. It is also the birthplace of Vasco Nuñez de Balboa; an explorer and the first European to see the Pacific Ocean. From the 12th century onwards, its Arab fortress was consolidated and the Order of the Temple built the walled enclosure. The wall has six gates: Alconchel, Burgos, Nueva, Santiago, Sevilla and La Villa.

As far as religious temples are concerned, the church of Santa Catalina, dating from the 15th century, has a Baroque style façade and tower. Another well-known temple is that of San Bartolomé, as well as the parish church of Santa María de la Encarnación. There are also many convents such as Nuestra Señora de Gracia, Madre de Dios and San Agustín. As for noble buildings, the palaces of Las Cigüeñas, Juan Martínez de Logroño del Boillón and the Marqués de Rianzuela should be admired. Not to be missed are some of their celebrations such as the Templar Festival or Holy Week.

Llerena

At the foot of Sierra de San Miguel is Llerena, in Badajoz; a prominent artistic centre during the 15th, 16th and 17th centuries. So much so that it came to be called "the little Athens of Extremadura". As in so many other villages in Badajoz, there are archaeological remains. In this case, the "Idol of Llerena" from the Bronze Age is worth mentioning. The main square with its porticos is in the Mudejar style.

Meanwhile, the church of Nuestra Señora de la Granada and the convent of Santa Clara, with its wonderful nun's sweets, are outstanding examples of local religious architecture. The Zapata Palace, seat of the Inquisition, the San Juan de Dios Hospital and the Episcopal Palace are other important buildings in the village.

Magacela, Badajoz

Located in the region of La Serena, Magacela goes back to prehistoric times. Good proof of this are the dolmen from the 3rd millennium B.C. and the cave paintings that can be found in the shelters of the Peña del Águila, in quite a good state of conservation. The megalith is shrouded in mystery. Legend has it that you can see lights at dusk that disappear under a rock with ancient engravings. Tradition says that the remains of San Aquila and his wife Santa Priscila were there. Also very important is the Bronze Age warrior's stele, which today is kept in the National Archaeological Museum.

With respect to its name, Magacela comes from the Muslim town of Umm-Gzala. The most important monument from the historical period is the pre-Roman fortress. It is also possible to enjoy the church of the castle, the hermitage of San Antonio, the hermitage of Los Remedios and the hermitage of Los Santitos. Finally, in the town hall it is possible to observe four granite sculptures of lions from the Middle Ages.

Olivenza

This is the first village in La Paz to join the exclusive group of "Spain's most beautiful villages". Olivenza, located next to the Guadiana river in Badajoz, belonged for years to the Kingdom of Portugal. The accent, the sweets and its architecture bear witness to that Portuguese past. Its most important monuments are the medieval citadel and the fortress, inside which is the "González Santana" Ethnographic Museum. In the town hall you can see the Manuelino gate and the Clock Tower; dating from the end of the 15th century. Once again it is a small village of whitewashed houses. The Church of La Magdalena, with its blue tiles, the sailor's knots and the ropes is a tribute to the sea in the middle of the border between Spain and Portugal.

Puebla de Alcocer in Badajoz

La Puebla de Alcocer is located in the Sierra de los Lares and is undoubtedly one of the most beautiful villages in Badajoz. It was formerly called "Aldeavieja" and in the Middle Ages was ceded to the Order of Alcantara after the reconquest. Its buildings exude those Arab influences that are the result of years of occupation. In fact, the name of Alcocer may derive from the word Al-Qusayr which means "walled city". Outside, the most interesting remains are those of the "old castle", dating from the Carthaginian period, and the Roman site.

However, the castle-fortress of La Puebla de Alcocer, built on an old Templar fortress, is the most characteristic monument of the village. Built in the 15th century, it contains many Mudejar elements. Fortunately, its keep is in perfect condition. Other emblematic buildings are the hermitages of San Antón and San Isidro, the palace of the Dukes of Osuna which is currently the House of Culture or the different ancestral homes in the town centre. The proximity of reservoirs such as La Serena or Orellana, as well as a very frequented lagoon in the summer season, are also worth mentioning. Badajoz is a province full of surprises and beauty.

History of Romangordo

The history of Romangordo began with the ancient Makhada Albalat, a prominent Arab settlement that was fortified in the 10th century and later named one of the most important towns in the area in the 12th century. At that time, due to its strategic value, it was a cause of dispute between the Arab and Christian troops. However, in the conquest carried out by Alfonso VIII it no longer had this value, as the border was far away. 

Under Christian rule, the settlement ended up being a simple rural village around which an administrative organisation called Campana de Albalat was developed. Thus, it established a kind of local territorial entity in which different localities are clustered in the same territory: Romangordo, Higuera de Albalat and Casas del Puerto, as well as other towns that would end up unpopulated as La Piñuela. 

Later, in the first half of the 19th century, the Campana de Albalat ended up forming the three current municipalities of Romangordo, Higuera de Albalat and Casas de Miravete. Nowadays, Romangordo is one of the "Villages Biosphere Reserve of the National Park of Monfragüe".

Route of the Trompe l'oeil

Ecomuseum Casa del Tio Cáscoles

The streets of Romangordo still show traces of its traditional architecture, with houses made of stone, rockrose, sand, lime, wood... becoming the characteristic elements of Romangordo houses. However, nowadays there are few houses built with these materials, even if they try to be inspired by the old houses.

Route of Los Ingleses (The English)

Casa de los Aromas

The enclosure also has a workshop of essences in which aromatic plants are distilled, natural creams and ecological soaps are made... All this thanks to Romangordo's flora, which is very rich thanks to the different types of soil, the Garganta de La Canaleja, the Tajo riverbed and the Corrinches, Arrocampo and Arrogato streams.

La Canaleja Cave

The cave of La Canaleja is an archaeological complex of great value that is composed of several caves located on the gorge of La Canaleja. This karstic complex is open on a limestone cliff that goes down to more than 20 meters inside. A gallery that can easily go unnoticed as a result of the camouflage provided by the vegetation: a forest of elderberries and almonds. After searching the largest cavity between 2004 and 2005, it was confirmed that the cave was inhabited, as ceramic remains with printed decoration typical of the Neolithic period in Extremadura were found there.

Parish Church

The parish church of Romangordo is under the patronage of Santa Catalina and has been declared an Asset of Cultural Interest. It is a 15th century building built in three stages, as can be seen in the southern façade by the lines of the gabled roofs in the main nave. The construction was carried out on the basis of mamposts, reinforced on the covers and corners by granite ashlars. As far as brick is concerned, it was only used to create the threads of some arches in the bell tower.

As far as the interior of the church is concerned, the Mudejar coffered ceiling is one of the best in Extremadura. There are also several images that are in the church, emphasizing on all of them the Santa Catalina, patron saint of the temple, the Nuestra Señora del Rosario, San Blas and the Cristo de la Salud. The history surrounding the image of San Blas is striking, as it was once said that it cures "throat ailments".

Useful information

PRACTICAL DATA

Coordinates

39°44′32″N 5°42′04″W

Distances

Cáceres 90 km, Badajoz 196 km, Madrid 215 km.

Parking

Outside Romangordo.

Elevation

422 m.

Inhabitants

259 (in 2019)

FESTIVITIES

The city of warriors

Plan your stay in Mérida

The visit to the places to see in Mérida can take one or two days. The heritage is quite dispersed but worthwhile. Next door is the Cornalvo Natural Park, whose reservoir is possibly the oldest functioning in Spain.

Among the nearby excursions, to the north is Montanchez, famous for its economical and tasty ham with DO. To the south, the medieval town of Alange contains a magnificent reservoir for sailing and swimming. Bordering the beautiful road around the body of water you reach Almendralejo. Finally, equally remarkable is the nearby Badajoz. Likewise, Mérida is the place from which the Vía de la Plata officially starts. The route, extended south to Seville, Huelva or Malaga, is today a Way to Santiago.Do you want to visit this place?

History of Mérida

Augusta Emerita

Before we move on to the best things to see in Mérida, we should know its history. The city was founded in the year 25 b.C. by order of the emperor Octavian Augustus. The aim of the place was to settle the legionaries "honorary graduates" or emeritus after the Cantabrian wars. Hence the name, Augusta Emerita. Fighters came from legions V Laudae and X Gemina. Historian Strabo mentioned it as one of the sinoicist cities, with indigenous inhabitants. This shows that there was a previous settlement in the place.

The population had an important growth, building a great theatre, amphitheatre, circus, temples, aqueducts, bridges... In the 3rd century it was the capital of the Roman province called Diocesis Hispaniarum. It was in charge of the Peninsula and Morocco. For its part, Mérida became the ninth most populated city in the Empire.

The Suebi

In the year 438 A.D. the Suebi conquered the city. The barbarians would make it the capital of a kingdom that included much of the western part of the peninsula. Around 456, the Visigoths displaced the Suebi, alternating Mérida with Toledo as the capital of their kingdom.

Arabs and Christians

At the end of 712, the Yemeni leader Musa Ibn Nusair, governor of the Umayyads in North Africa, attacked the city with a large army of 17,000 men. After about six months of siege, the defenders surrendered in exchange for respect for his life and property. The Christian population and some of the Muslim settlers rebelled against the leaders. For example, in 741 there was an uprising. Such was its virulence that Syrian troops had to be brought in to control the uprising.

Later, in 828, the local population took control of the city and declared themselves independent. They succeeded in doing so supported by Christian troops sent by the French Emperor Ludovico Pio. Caliph Abd-ar-Rahman II himself carried out an unsuccessful siege, not managing to recover it until two years later. Later, during 835, the citadel was inaugurated. According to an inscription, it was intended to protect the rulers from insurrections. This did not prevent a new uprising in 868.

So a tense atmosphere was maintained for some years, until in 875 a great group of citizens commanded by Ibn Marwan, "el Gallego", left to refound the present Badajoz. Another part emigrated towards the northwest. The Berbers of the tribe Masmuda replaced them a year later, controlling the city during the following fifty years.

The Portuguese

In the year 929, Caliph Abd-ar-Rahman III appointed a governor in charge of a large cora. Finally, in 1230, Alfonso IX of Leon conquered Mérida for the Christians supported by troops of the Order of Santiago. After that, he entrusted his repopulation and defence to that order, which installed the Priory of San Marcos de León there. Around 1479 the city was governed by Beatriz Pacheco, Countess of Medellín. The noblewoman gave the city to the Portuguese army that supported Juana la Beltraneja. This collaboration provoked that the troops of Fernando the Catholic besieged it.

Between 1640 and 1668, during the War of Restoration of Portugal, it was one of the cities most affected by the continuous requisitions and destruction. This served to exempt it from taxes for years. In 1653, together with Alcántara, Badajoz, Cáceres, Plasencia and Trujillo, it bought a vote in the Castilian Parliament to better defend its common interests.

Capital of Extremadura

Later, in 1810, the Government of Joseph I Bonaparte installed in Mérida the capital of the Prefecture of Guadiana and Guadajira. This was one of the new territorial organizations that the Gaul set in motion. Almost two centuries later, in 1983, it was designated capital of the Autonomous Community of Extremadura. Finally, in 1994 the Archdiocese of Merida-Badajoz was constituted. This recovered the old episcopal tradition of the city. The change meant the passage from church to cathedral of Santa María la Mayor.

What to see in Mérida

Roman Theatre of Mérida

At the Eastern area there is the Roman Theatre of Mérida, finished by Marcus Agrippa. The son-in-law of Caesar Augustus managed to finish the work in 15 b.C. It is important to point out that the present stage front, the most interesting architectural element, is due to a reform of year 105. From its construction and up to the mid-4th century b.C. it could hold up to 6000 spectators. After the fall of the Roman Empire and with the stigmatization of the theatre promoted by Christianity, the enclosure fell into neglect. For example, the ashlar stones of the stands were used in other constructions. The hollow, on the other hand, would become covered. Once the 18th century was reached, it was used as a bullfighting ring, while in the 20th century it began to be restored. Nowadays, it is once again used as a setting for the Classic Theatre festivals.

Amphitheatre of Mérida

The adjacent Amphitheatre of Mérida, with an elliptical layout and large dimensions, was built somewhat later (8 B.C.). Its capacity could reach 14.000 spectators. It is made of masonry and concrete, though a great part of its cover with granite ashlars is missing. It is possible to visit the place where gladiators waited (spoliaria) or the cubicles for beasts (carceres) used at shows.

Within the enclosure that protects the theatre and the amphitheatre, there is also the so-called Amphitheatre House. The Tower of Water House stands out, with a carefully designed geometric mosaic on the floor. At the same time, the house of the amphitheatre itself (1st-4th centuries) is a remarkable element to see in Mérida. It has the magnificent Grape Harvest Mosaic and the Fish Mosaic. The archaeological park is still under study and has an enclosure where the surrounding excavations can take place.

National Museum of Roman Art

The National Museum of Roman Art, housed in a building by the architect Rafael Moneo, stands on a site of Roman ruins. On the ground floor, pieces such as the tombstone of Proserpina, the veiled head of the Genius of the Colony or the mosaic referring to the god Bacchus are on display. Also, perfectly set, different types of burials are arranged. There is also a space dedicated to evoking life in the Forum, through sculptures, remains of buildings and small objects found in the ancient Augusta Emerita.

On the other hand, the first floor is intended to exhibit the collections of ceramics, bone, glass, numismatics and gold and silverware. The second floor explains the different sides of the social life of the city, with schemes about the city and the nearby villae or estates. In addition, there is a space on the Christian Mérida, from the third century A.D. The whole is thus a great enclave to see in Mérida for those who love Rome.

Roman Circus

Walking from the theatre and amphitheatre enclosure towards the north, there are the remains of Mérida's Roman Circus. This huge entertainment center of the city since the first century A.D. was home to 30,000 spectators. Its elongated structure consisted of two parallel major sides and two minor ones that wrapped the arena. The arena was in turn divided into two parts by a spine that was turned seven times by the chariots. Despite its state of preservation, it is the best Spanish example of its kind. Beside the circus there are three pillars of the old Aqueduct of San Lázaro.

Christian, then Moorish and again Christian buildings

Much of what can be seen in Mérida is in its old town. These are Roman spaces that were converted into Christians, then into Muslims and again Christianized. A good example of this is the Church of Santa Eulalia, built in the 13th and 14th centuries on top of a 5th century basilica. The styles of construction range from Roman to Gothic, through Visigothic and Romanesque. The Visitor Centre of the Church of Santa Eulalia describes an itinerary through the subsoil of the temple.

Another example is the Forum Portico, built in the first century. In the surroundings of Plaza de España we find the Arch of Trajan and the Temple of Diana. These are two of the most iconic sites to be seen in Mérida. Recent restoration work has exempted the columns, to which the walls of the Count of Corbos' palace were added in the 16th century. Very close by, in the old church of the Santa Clara convent, you can see the Visigothic Art Museum.

From Santa Clara, going down towards the Guadiana, we reach the Alcazaba of Mérida. It is considered the oldest Muslim building in Spain. It was founded around the year 835. Later, the Knights of the Order of Santiago would establish their convent there. The towers, outer walls and cistern are from the Islamic period.

Many Roman remains

From the fortress you can see the Roman Bridge of Mérida from the time of Caesar Augustus. With its 792 metres and 60 arches it is the longest in the world from this period, after the one on the Danube river. Together with that of Alcántara, it is one of the best preserved from the Roman period. Pilgrims on the Via de la Plata usually enter the city through it, where they can see the Capitoline Wolf, given by Rome.

On the banks of the Guadiana is the archaeological site of Las Morerías, with necropolis, roads and houses used by both Romans and Arabs. There you can find the Visitor Centre of the Vía de la Plata, a communication route that used to run through the Roman province of Lusitania. The roadway follows a path used since before the arrival of Rome to the Peninsula, assuming a true communicative artery.

Among the monuments scattered throughout the municipality we can mention the house of Mithreo, decorated with mural paintings and mosaics as outstanding as the image of Eros and the Cosmological. Attached are the columbariums, small funerary constructions made in the open air. You can start your visit by going to the Visitor Center of the Funeral Area of the Columbarios. Also interesting are the Church of Santa María (13th to 15th centuries), the Baroque Convent of Santo Domingo (17th century) and some Renaissance manor houses.

Agriculture from Prehistory

The great majority of the fields near Mérida preserve their agricultural functions. These were acquired in prehistoric times and were improved by the Roman technique. Nearby is the Cornalvo Natural Park. Although it has been believed for many years that its reservoir was from the Roman period, it seems that it was built later. This concludes the visit for the best thing to see in Mérida.

Must see

Practical Data

PRACTICAL DATA

Coordinates

38° 55′ 2” N, 6° 20′ 39” W

Distances

Badajoz 62 km, Cáceres 75 km, Madrid 340 km

Parking

No problems in the whole city.

Elevation

224 m.

Inhabitants

59 049 (2013).

FESTIVITIES

OTHER EVENTS

Our Lady of Guadalupe: Queen of Hispanidad in a fascinating museum

A famous sanctuary with a long tradition behind it, this corner of Extremadura shines with its mysticism. Its heritage contains superb examples of sacred art, especially on an architectural level. Likewise, its surroundings complete the artistic offer. Discover the history and the best things to see in Guadalupe.

Plan your stay in Guadalupe

History of Guadalupe

Guadalupe's Origins

Before tackling what to see in Guadalupe, it is worth knowing a little about its history. Thus, there is an important heritage of rock shelters decorated with schematic paintings. Later on, several Celtiberian castros would be developed. Finally, there are several Roman and Islamic remains scattered.

The legal foundation of the town is usually associated with the establishment of the sanctuary. In the 6th century Pope Gregory the Great commissioned Isidore of Seville to send a figure of the Virgin Mary to his brother San Leandro, Archbishop of Seville. In the course of the journey between Rome and Seville, the expedition had problems on the high seas. Nevertheless, they managed to arrive safe and sound. The image was enthroned in the main church, where it remained until the Muslim conquest of the Andalusian city.

Then, in the year 714, a group of clergymen fled to the north. They took with them the image of the virgin and some relics of saints so that they would not fall into the hands of the Moors. They were forced to hide them next to the Guadalupe River, the "river of wolves". Such a treasure remained there until the Marian apparition to the shepherd Gil Cordero during the reign of Alfonso XI of Castile, towards the end of the 13th century.

Becoming the most important religious centre

It was not until 1340 that Guadalupe became one of the most important religious centers of the time. Thanks to the privileges granted by King Alfonso XI after the victory in the Battle of Salado, Pope Benedict XII published a bull to promote the restoration of the temple and monastery complex. The territories of the Sanctuary of Guadalupe were segregated from the municipalities of Talavera and Trujillo. This marked the foundation of a new town. This would remain under the tutelage of Talavera de la Reina until some time later.

Ruled by Hieronymus monks, the Royal Monastery of Santa María de Guadalupe reached its golden age in the 15th century. The growing support of the monarchs of Castile promoted its establishment as one of the most important places of worship in the Iberian Peninsula. As the ecclesiastical town gained importance, La Puebla was formed. It was a secular urban centre in which servants and peasants who depended on the monastery settled. These were accompanied by craftsmen, merchants and other popular classes.

Prosperity

Guadalupe diversified its activity thanks to the growth of La Puebla. Beyond religion, it soon became a cultural and scientific centre. The last area shone especially after the foundation of the School of Medicine and the College of Medicine and Surgery. As a sign of its relevance and fame, it is worth mentioning that this centre welcomed the most prestigious doctors of the time. Likewise, the first dissection authorized by the Pope in Spain took place there. On the other hand, the Grammar School and its exceptional library increased even more the prestige of Guadalupe. The institution was formed by copyists, miniaturists and bookbinders.

In any case, the fundamental moment for the development of the sanctuary and the Puebla de Guadalupe was the conquest of America. The cult and devotion to the Virgin of Guadalupe was extended throughout the new Continent by the hand of the conquerors from Extremadura. The enormous influence of the monastery remained alive until the French invasion and the disentailments of the 19th century. After losing a large part of its accumulated wealth, the place was deprived of monastic activity. However, La Puebla de Guadalupe founded the Constitutional Town Hall in 1820, integrated in 1834 in the Judicial Party of Logrosán.

In 1843, Guadalupe had approximately 3,835 inhabitants. For comparison, in 1960 it had 4,000 inhabitants. From then on, the town suffered the consequences of emigration. Today, with a diminished population, Guadalupe is still a renowned centre of learning. Similarly, the town and its monastery represent an important tourist centre, which has clearly benefited from the 1993 Unesco declaration. In it, the sanctuary was placed on the list of World Heritage Monuments. At the same time, its historic centre is a Property of Cultural Interest.

What to see in Guadalupe

Town Centre

Visiting Guadalupe is a special experience. Between the Barrio de Arriba and the Barrio de Abajo, Puebla kindly opens its cobblestone streets, its iron and wood balconies, its half-timbered and interlocking buildings. Some parts of the town still show that attractive weathering patina. Good examples of this are the Plaza Mayor, the Tres Chorros, the Alamillo, the La Pasión or the Seville square. The strong point of its heritage are the buildings that have been preserved since the 14th, 15th and 16th centuries.

Beyond the unique beauty of the historic centre and the imposing monasteries, what you see in Guadalupe extends to its surroundings. Thus, they still show that attractive patina that gives time as the Ermita de Nuestra Señora de la Cruz del Humilladero, Santa Catalina and San Blas. Finally, the river bank is embellished with ponds and mills, which feed the fertile fields that surround La Puebla. Guadalupe is also the centre of the Villuercas region, a beautiful and rugged natural environment.

The Royal Monastery of Santa María de Guadalupe

Of all the things to see in Guadalupe, the Royal Monastery of Santa María de Guadalupe stands out. The visit to the interior must be made with a specialized guide, with the exception of the church. The entrance to the enclosure is located in a square created to enhance the effect produced by the view of the main facade. Introduced by a staircase, the façade rises between two asymmetrical towers. This part of the church is in the Gothic style (14th and 15th centuries), although the whole looks Mudejar.

After crossing two doors of considerable size, made of bronze and carved by Paolo of Cologne, one enters an interior organized in three naves covered by intensely decorated vaults. The transept of this temple is crowned by a dome designed by Larra Churriguera (eighteenth century). The Gothic, Renaissance and Baroque styles are combined thanks to the work carried out throughout history.

Inside the main church, the Chapel of Santa Ana houses two admirable works of art. The first one is the fountain carved in bronze and jasper by Juan Francés (1402). The second is the Flemish tomb of the Constables of Velasco (1460). Both are elements to see in Guadeloupe in an inexcusable way. In its rich patrimony, it is also worth mentioning the Renaissance grille of the Main Chapel (16th century) and its altarpiece by Giraldo de Merlo (1609). The unique tabernacle, a Mannerist desk that Philip II gave to the monastery, is also noteworthy. On both sides of the altar are the tombs of Enrique IV and his mother María de Aragón.

The rooms of the Royal Monastery of Santa María de Guadalupe are the most interesting part of the visit. To see them it is necessary to buy the ticket for the guided tour in the religious souvenir shop. The first stop is the Mudejar Cloister (14th and 15th centuries), known for being one of the most interesting sets of its style. It is the central axis around which the different rooms of the building were built and distributed. In the centre of the courtyard there is a curious Gothic-Mudejar temple (1405) which sheltered a fountain. Besides, several canvases decorate the walls showing the miracles of the Virgin of Guadalupe.

One of the rooms located around the cloister is the old refectory, which has been converted into an embroidery museum. It shows delicate works from the workshop of the monastery. Within the space occupied by the bookstore, which on the ground floor houses the Chapter House, is the Museum of Miniated Books. Also notable is the Museum of Painting and Sculpture. Its collection includes three canvases by El Greco, a Goya and small panels by Francisco de Zurbarán.

Walking through long corridors and aged stairs you reach the choir loft, whose original walnut stalls feature sculptures by Alejandro Carnicero (1743). Following the visit, the Sacristy of the 18th century is reached, which is characterised by its organisation around a large rectangular nave covered with a barrel vault, profusely decorated. Eight monastic paintings by Francisco de Zurbarán from 1638 onwards are exhibited there. For its part, the Chapel of San Jerónimo holds three other paintings representing scenes from the life of the saint.

Small Chapel of the Virgin in the Monastery

Continuing with the tour of the great monument that can be seen in Guadalupe, the Reliquary and the Treasure are reached. Before entering the Small Chapel of the Virgin, located behind the presbytery, a Franciscan monk will appear who will invite visitors to venerate the image of the Virgin closely and perform the ritual of praying the Hail Mary.

The Small Chapel was built at the end of the 17th century on top of the old Royal Pantheon. Thus, it is a baroque work characterized by the abundance of colors and its original square plant, with four added exedras. The room also features the sculptures of the Eight Strong Women of the Bible. However, the focus is on the image of the Virgin of Guadalupe. It is a small Gothic sculpture from the end of the 12th century, carved in dark wood and richly decorated.

A fascinating architecture

The last of the outstanding spaces within the enclosure of the Royal Monastery of Santa María de Guadalupe is the Hospedería Real. It was built as a residence for the Catholic Monarchs. Although it was demolished in 1856 by a municipal initiative, the Gothic cloister remains.

At the foot of the monastery, Puebla de Guadalupe is full of popular architecture. Walking through its streets it is inevitable to discover historical places. For example, the fountain in the square in front of the monastery. It is said that the first Indians brought from America were baptized there.

The historical center of La Puebla keeps relevant elements to see in Guadalupe. From the Grammar School or Colegio de Infantes it is worth mentioning its Mudejar cloister. Also of interest are the Renaissance house of Gregorio López (sixteenth century), the Hospital de San Juan Bautista, or the Ermita de Nuestra Señora de la Cruz del Humilladero (fifteenth century), in the Mudéjar Gothic style. Not to be forgotten is the Church of the Holy Trinity, a beautiful example of 18th century Baroque. The medieval arches and the old Jewish quarter are also worth mentioning. However, the most famous corner for its unique atmosphere is the Plaza de los Tres Caños.

Must see

Useful Information

PRACTICAL DATA

Coordinates

39° 27′ 10” N, 5° 19′ 37” W

Distances

Cáceres 124 km, Badajoz 190 km, Toledo 200 km, Madrid 240 km.

Parking

In the streets of the town. There are parking areas: Plaza de Juan Carlos I, on the west side of the monastery and on the old road south of the monastery.

Elevation

638 m.

Inhabitants

1887 (2019).

FESTIVITIES

OTHER EVENTS

HANDCRAFT